Some recent tests on my Canon PRO-4000 printer revealed that I get prints with finer detail, blacker backs (better D-Max) and richer color on Canon Photo Paper Pro Luster than I do with Epson Premium Luster Photo Paper.
I made this discovery when profiling my new Canon PRO-4000. When I profile a paper, I make test prints to confirm the profile is working correctly. Since I had some Canon Luster on hand, I decided to profile that and compare it to the Epson Luster, and honestly I was a bit shocked to see that there was a difference in detail and sharpness. The Epson luster looked slightly out of focus compared to the Canon paper. The Epson print was still acceptable, but why not get the sharpest print i can? And as I further examined the prints, I found that the Canon paper was better in every area.
I already knew that the Canon Pro-4000 inks produces the blackest blacks I’ve seen. But the different between two luster papers was surprising. It was obvious to the naked eye that the Canon luster paper produced a blacker black that Epson luster. This is important to print quality, because the darker your black, the wider the dynamic range, which makes a print more brilliant and more dimensional.
This deeper black has a impact on even the color areas of the photograph. Most subjects contain a multitude of small shadow areas. When these small shadow areas print darker, they create local contrast which makes the colors next to them look richer and deeper, which creates a better print. This isn’t something you can create in a editing program, it is wholly dependent on the printer/paper/ink combination.
Color performance was a little harder to discern. There were some areas of saturated color where it appeared better on the Canon paper, some areas where the local contrast from darker blacks made the colors appear richer, and the image sharpness also made the Canon paper appear better. Regardless, the final overall effect was a richer print on Canon luster. .
What I saw convinced me to make Canon Photo Paper Pro Luster my luster paper of choice for my personal work and for customers. It’s a clear winner when compared side by side in carefully controlled tests with images I am very familiar with.
This test made me curious to see how other brand luster surfaces papers perform, so I plan on doing more testing as time allows.
I also compared these prints to Fuji Luster RA-4 paper exposed with a Chromira. RA-4 papers are a light sensitive paper and one of the most commonly used papers by photo labs. The results were interesting enough to deserve their own article at a later date.
Questions or comments? Use the comments section below, and I’d love to hear your experiences.
Rich Seiling is a pioneer of Fine Art Printmaking, having worked on thousands of prints for leading photographers.